SPRING/SUMMER 1998  THE CRITICAL REVIEW OF LANDSCAPE ART AND GARDEN DESIGN
LAND FORUM
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Kathryn Gustafson: Sculpting the Land
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Viewing Olmsted: Photographs by Robert Burley, Lee Friendlander and Geoffrey James
Olmsted and Contemporary Practice: Legacy or Lethargy?
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REVIEWS  Olmsted and Contemporary Practice: Legacy or Lethargy?
Olmsted and Contemporary Practice: Legacy or Lethargy? was the last of three round-table discussions held at the Harvard University Graduate School of Design to accompany the Viewing Olmsted exhibition. Ten-minute presentations by panelists disclosed a broad range of attitudes towards Olmsted, from unconditional embrace to total rejection. George Hargreaves, moderator and chairman of the department of landscape architecture, began by speculating that were Olmsted practicing in the late 20th century, he would produce completely different work than that which he produced over a hundred years ago. This work, in Hargreaves' view, would be forward-looking and not nostalgic. Laurie Olin explained that Olmsted's legacy is not a question of style, but a question of structure. It is Olmsted's vision of how the landscape forms a foundation for cities, and how this foundation is structured, that continues to be of relevance for Olin and his practice. For Olin, Olmsted is, rightly so, a hero. For Marc Treib, who was assigned the role of provocateur of the evening, Olmsted is "uninteresting." Based on that strictly formalistic indictment, Treib argued that there is no legacy to be had ("Fred is dead"). Carol Franklin, on the other hand, does not question Olmsted, and faithfully restores his parks, making invisible 20th century interventions into those 19th century landscapes. Finally, for Julie Bargmann, "Fred is also dead," but his dialectics of landscape are very much ongoing.

In response to slides of the various park renovations by Franklin's firm, Andropogon, the discussion that followed centered primarily around the question of renovation versus regeneration of Olmsted parks. What was strangely missing, from the panelists and the audience as well, was a discussion of what the approach to Olmsted should or could be, rather than whether the physical manifestation of his ideas are of relevance today. To reduce Olmsted to questions of form is to ignore his vast and enduring contribution. To try to understand how he was able to produce culture, not just represent it, by proposing an alternative way of living in cities, is what this profession, which at the moment is trying very hard to become more effective and visible, would profit most from doing.

Anita Berrizbeitia is assistant professor of landscape architecture at the Harvard University Graduate School of Design.

It is Olmsted's vision of how the landscape forms a foundation for cities, and how this foundation is structured, that continues to be of relevance...
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