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Olmsted and Contemporary Practice: Legacy
or Lethargy? was the last of three round-table discussions held at the Harvard
University Graduate School of Design to accompany the Viewing Olmsted exhibition.
Ten-minute presentations by panelists disclosed a broad range of attitudes
towards Olmsted, from unconditional embrace to total rejection. George
Hargreaves, moderator and chairman of the department of landscape architecture,
began by speculating that were Olmsted practicing in the late 20th century, he
would produce completely different work than that which he produced over a
hundred years ago. This work, in Hargreaves' view, would be forward-looking and
not nostalgic. Laurie Olin explained that Olmsted's legacy is not a question of
style, but a question of structure. It is Olmsted's vision of how the landscape
forms a foundation for cities, and how this foundation is structured, that
continues to be of relevance for Olin and his practice. For Olin, Olmsted is,
rightly so, a hero. For Marc Treib, who was assigned the role of provocateur of
the evening, Olmsted is "uninteresting." Based on that strictly formalistic
indictment, Treib argued that there is no legacy to be had ("Fred is dead").
Carol Franklin, on the other hand, does not question Olmsted, and faithfully
restores his parks, making invisible 20th century interventions into those 19th
century landscapes. Finally, for Julie Bargmann, "Fred is also dead," but his
dialectics of landscape are very much ongoing.
In response to slides of the various
park renovations by Franklin's firm, Andropogon, the discussion that followed
centered primarily around the question of renovation versus regeneration of
Olmsted parks. What was strangely missing, from the panelists and the audience as
well, was a discussion of what the approach to Olmsted should or could be, rather
than whether the physical manifestation of his ideas are of relevance today. To
reduce Olmsted to questions of form is to ignore his vast and enduring
contribution. To try to understand how he was able to produce culture, not just
represent it, by proposing an alternative way of living in cities, is what this
profession, which at the moment is trying very hard to become more effective and
visible, would profit most from doing.
Anita Berrizbeitia is assistant
professor of landscape architecture at the Harvard University Graduate School of
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